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Berlinale Shorts

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a fine selection of short films

  • Berlinale Shorts 2022
    • films 2022
    • jury 2022
    • press 2022
    • awards 2022
  • Berlinale Shorts 2021
    • films 2021
    • jury 2021
    • press 2021
    • awards 2021
  • Berlinale Shorts 2020
    • films 2020
      • 2008
      • À l’entrée de la nuit
      • Atkūrimas
      • Aletsch Negative
      • Cause of Death
      • Celle qui porte la pluie
      • A Demonstration
      • Écume
      • Filipiñana
      • Genius Loci
      • Girl and Body
      • Gumnaam Din
      • HaMa’azin
      • How to Disappear
      • Huntsville Station
      • Inflorescence
      • It Wasn´t the Right Mountain, Mohammad
      • My Galactic Twin Galaction
      • Playback
      • So We Live
      • Stump the Guesser
      • T
      • Union County
      • Veitstanz/Feixtanz
    • jury 2020
    • awards 2020
    • brochure 2020
    • press
      • press reviews
      • interviews
      • press release
  • Berlinale Shorts 2019
    • films 2019
    • awards 2019
    • jury 2019
    • interviews 2019
    • press release 2019
  • Berlinale Shorts 2018
    • awards 2018
    • jury 2018
    • press release 2018
      • interviews 2018
    • extras 2018
  • Berlinale Shorts 2017
    • 2017
    • jury 2017
  • Berlinale Shorts 2016
    • 2016
    • jury 2016
  • Berlinale Shorts 2015
    • berlinale shorts 2015
    • 60 years of the golden bear
    • jury 2015
    • screenings 2015
    • impressions 2015
  • Berlinale Shorts 2014
    • berlinale shorts 2014
    • jury 2014
    • screenings 2014
    • impressions 2014
  • Berlinale Shorts 2013
    • berlinale shorts 2013
    • jury 2013
    • screenings 2013
    • impressions 2013
  • about
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Evgenia Arbugaeva and Maxim Arbugaev on „Haulout“ / interview

Evgenia Arbugaeva: Born in Tiksi in the Russian Arctic in 1985, she is now based in London but remains deeply…

Berlinale 2022, Evgenia Arbugaeva, Haulout, interview, interview 2022, Maxim Arbugaev

„El sembrador de estrellas“ / press

Press reviews for „El Sembrador de estrellas“ by Lois Patiño. „Two experimental films promise a visceral experience. The Sower of…

Berlinale 2022, El sembrador de estrellas, Lois Patiño, press, press 2022

Lois Patiño on „El sembrador de estrellas“ / interview

Born in Vigo, Spain in 1983, he studied psychology at the Complutense University in Madrid and then film at the…

Berlinale 2022, El sembrador de estrellas, interview, interview 2022, Lois Patiño

Mo Harawe on „Will My Parents Come to See Me“ / interview

Born in Mogadishu, Somalia, he discovered his passion for cinema while attending a school of arts in his home country.…

Berlinale 2022, interview, interview 2022, Mo Harawe, Will My Parents Come to See Me

„Will My Parents Come to See Me“ / press

Press reviews for „Will My Parents Come to See Me“ by Mo Harawe. „Other highlights include […] the rather brilliant…

Berlinale 2022, Mo Harawe, press, press 2022, Will My Parents Come to See Me

„Kicking the Clouds“ / press

Press reviews for „Kicking the Clouds“ by Sky Hopinka. „Following his beautiful debut feature „małni – towards the ocean, towards…

Berlinale 2022, Kicking the Clouds, press, press 2022, Sky Hopinka

Anabela Angelovska on „Retreat“ / interview

What was your starting point for “Retreat”? The starting point for my film „Retreat“ was my interest in new forms…

Anabela Angelovska, Berlinale 2022, interview, interview 2022, Retreat

„Retreat“ / press

Press reviews for „Retreat“ by Anabela Angelovska. „Two other documentaries in the section also deal with war, memory and reality.…

Anabela Angelovska, press, press 2022, Retreat

„Jon-Jae-Ui Jib“ / press

Press reviews for „Jon-Jae-Ui Jib“ by Joung Yumi. „„House of Existence“ der Südkoreanerin Joung Yumi bleibt hingegen streng und reduziert.…

Berlinale 2022, House of Existence, Jon-Jae-Ui Jib, Joung Yumi, press

Joung Yumi on „Jon-Jae-Ui Jib“ / interview

Born in Busan, South Korea in 1981. Between 2000 and 2004, she took a degree in fine art at Kookmin…

Berlinale 2022, interview, interview 2022, Jon-Jae-Ui Jib, Joung Yumi

„Trap“ / press

Press reviews for „Trap“ by Anastasia Veber. „Young Russian filmmaker Anastasia Veber, winner of the Golden Bear for Best Short…

Anastasia Veber, Berlinale 2022, press, press 2022, Trap

Anastasia Veber on „Trap“ / interview

The director, screenwriter and poet was born in Saint Petersburg, Russia in 1995. She studied directing at the city’s School…

Anastasia Veber, Berlinale 2022, interview, interview 2022, Trap

„Ampangabagat Nin Talakba Ha Likol“ / press

Press reviews for „Ampangabagat Nin Talakba Ha Likol“ by Maria Estela Paiso. „[…]It’s Raining Frogs Outside, der das beklemmende Gefühl…

Ampangabagat Nin Talakba Ha Likol, Berlinale 2022, Maria Estela Paiso, press

Maria Estela Paiso on „Ampangabagat Nin Talakba Ha Likol“ / interview

Born in Quezon City, the Philippines in 1997, the filmmaker graduated with a degree in communication arts in 2016 and…

Ampangabagat Nin Talakba Ha Likol, Berlinale 2022, interview, interview 2022, Maria Estela Paiso

„Four Nights“ / press

Press reviews for „Four Nights“ by Deepak Rauniyar. „Rauniyar’s Berlinale Shorts selection “Four Nights” follows filmmaker Ram (Rai) and actor…

Asha Magrati, Berlinale 2022, Deepak Rauniyar, Four Nights, press, press 2022

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More than 100 Russian artists and animators along with musicians and sound-designers have made and keep making animated shorts in protest of Russia’s invasion of Ukraine. @sasha_svirsky (#BerlinaleShorts2020 and #BerlinaleShorts2021) is one of them.
A collection of press reviews on all the films of Berlinale Shorts is waiting for you in the press section of our blog.
"I like the shape of the house.
"My favorite scenes are when the main character, a boy, strokes the fur on the bird's neck with his hand, and when the boy peels a tangerine for the dog. The reason is that both of these are movements I wanted to draw, regardless of the story." More information on "Bird in the Peninsula" by Atsushi Wada is available on the Berlinale Shorts blog.
"My main mission was to find locations and people which consist with “cinematic” energy. It was a strong and pure energy similar to my childhood memories." Find out what else Anastasia Veber had to say about the starting point for her film "Trap" on our blog.
"Solitude isn't new to me. Even before all the dark forces of the world started having a party, I often consciously chose to be alone." Read more about Maria Estela Paiso and her film "Ampangabagat Nin Talakba Ha Likol" (It’s Raining Frogs Outside) at
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