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Berlinale Shorts

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a fine selection of short films

  • Berlinale Shorts 2022
    • films 2022
    • jury 2022
    • press 2022
    • awards 2022
  • Berlinale Shorts 2021
    • films 2021
    • jury 2021
    • press 2021
    • awards 2021
  • Berlinale Shorts 2020
    • films 2020
      • 2008
      • À l’entrée de la nuit
      • Atkūrimas
      • Aletsch Negative
      • Cause of Death
      • Celle qui porte la pluie
      • A Demonstration
      • Écume
      • Filipiñana
      • Genius Loci
      • Girl and Body
      • Gumnaam Din
      • HaMa’azin
      • How to Disappear
      • Huntsville Station
      • Inflorescence
      • It Wasn´t the Right Mountain, Mohammad
      • My Galactic Twin Galaction
      • Playback
      • So We Live
      • Stump the Guesser
      • T
      • Union County
      • Veitstanz/Feixtanz
    • jury 2020
    • awards 2020
    • brochure 2020
    • press
      • press reviews
      • interviews
      • press release
  • Berlinale Shorts 2019
    • films 2019
    • awards 2019
    • jury 2019
    • interviews 2019
    • press release 2019
  • Berlinale Shorts 2018
    • awards 2018
    • jury 2018
    • press release 2018
      • interviews 2018
    • extras 2018
  • Berlinale Shorts 2017
    • 2017
    • jury 2017
  • Berlinale Shorts 2016
    • 2016
    • jury 2016
  • Berlinale Shorts 2015
    • berlinale shorts 2015
    • 60 years of the golden bear
    • jury 2015
    • screenings 2015
    • impressions 2015
  • Berlinale Shorts 2014
    • berlinale shorts 2014
    • jury 2014
    • screenings 2014
    • impressions 2014
  • Berlinale Shorts 2013
    • berlinale shorts 2013
    • jury 2013
    • screenings 2013
    • impressions 2013
  • about
  • imprint

Schlagwort: Through the eyes of

“Ventana” / through the eyes of…

“Ventana” seen through the eyes of Alejo Franzetti, member of the preselection team of Berlinale Shorts. UMBRAL Light, sound, air. A … Mehr

Berlinale 2021, Through the eyes of, Ventana

“One Hundred Steps” / through the eyes of…

“One Hundred Steps” seen through the eyes of Wilhelm Faber, member of the preselection team of Berlinale Shorts. An Arabesque Irish … Mehr

Berlinale 2021, One Hundred Steps, Through the eyes of

“Strange Object” / through the eyes of…

“Strange Object” seen through the eyes of Saskia Walker, member of the preselection team of Berlinale Shorts. Photographs of desert landscapes. … Mehr

Berlinale 2021, Strange Object, Through the eyes of

“International Dawn Chorus Day” / through the eyes of…

“International Dawn Chorus Day” seen through the eyes of Linn Löffler, member of the team of Berlinale Shorts. I didn’t know … Mehr

Berlinale 2021, International Dawn Chorus Day, Through the eyes of

“A Love Song in Spanish” / through the eyes of…

“A Love Song in Spanish” seen through the eyes of Sarah Schlüssel, member of the preselection team of Berlinale Shorts. An … Mehr

A Love Song in Spanish, Berlinale 2021, Through the eyes of

“Easter Eggs” / through the eyes of…

“Easter Eggs” seen through the eyes of Saskia Walker, member of the preselection team of Berlinale Shorts. Two teenage “frenemies” while … Mehr

Berlinale 2021, Easter Eggs, Through the eyes of

“Vadim na progulke” / through the eyes of…

“Vadim na progulke” seen through the eyes of Sarah Schlüssel, member of the preselection team of Berlinale Shorts. Vadim struggles. He … Mehr

Berlinale 2021, Through the eyes of, Vadim na progulke

“Xia Wu Guo Qu Le Yi Ban” / through the eyes of…

“Xia Wu Guo Qu Le Yi Ban” seen through the eyes of Matti Ullrich, member of the team of Berlinale Shorts.  … Mehr

Berlinale 2021, Through the eyes of, Xia Wu Guo Qu Le Yi Ban

“More Happiness” / through the eyes of…

“More Happiness” seen through the eyes of Sarah Schlüssel, member of the preselection team of Berlinale Shorts. A mother and daughter … Mehr

Berlinale 2021, More Happiness, Through the eyes of

“Al motociclista no le cabe la felicidad en el traje” / through the eyes of…

“Al motociclista no le cabe la felicidad en el traje” seen through the eyes of Azin Feizabadi, member of the … Mehr

Al motociclista no le cabe la felicidad en el traje, Berlinale 2021, Through the eyes of

„Das Glitzern im Barbieblut“ / through the eyes of…

„Das Glitzern im Barbieblut“ seen through the eyes of Azin Feizabadi, member of the preselection team of Berlinale Shorts. We are … Mehr

Berlinale 2021, Das Glitzern im Barbieblut, Through the eyes of

“Si t’as un coeur” / through the eyes of…

“Si t’as un coeur” seen through the eyes of Sarah Schlüssel, member of the preselection team of Berlinale Shorts. “You have … Mehr

Berlinale 2021, Si t’as un coeur, Through the eyes of

“Zonder Meer” / through the eyes of…

“Zonder Meer” seen through the eyes of Mathilde Rahnenführer, member of the team of Berlinale Shorts. When I watched “Zonder Meer”, … Mehr

Berlinale 2021, Through the eyes of, Zonder Meer

“Zonder Meer” / through the eyes of…

“Zonder Meer” seen through the eyes of Alejo Franzetti, member of the preselection team of Berlinale Shorts. The Abyss, a Lake … Mehr

Berlinale 2021, Through the eyes of, Zonder Meer

“Les Attendants – The Men Who Wait” / through the eyes of…

“Les Attendants – The Men Who Wait” seen through the eyes of Saskia Walker, member of the preselection team of … Mehr

Berlinale 2021, Les Attendants, Through the eyes of, Truong Minh Quý

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More than 100 Russian artists and animators along with musicians and sound-designers have made and keep making animated shorts in protest of Russia’s invasion of Ukraine. @sasha_svirsky (#BerlinaleShorts2020 and #BerlinaleShorts2021) is one of them.
A collection of press reviews on all the films of Berlinale Shorts is waiting for you in the press section of our blog.
"I like the shape of the house.
"My favorite scenes are when the main character, a boy, strokes the fur on the bird's neck with his hand, and when the boy peels a tangerine for the dog. The reason is that both of these are movements I wanted to draw, regardless of the story." More information on "Bird in the Peninsula" by Atsushi Wada is available on the Berlinale Shorts blog.
"My main mission was to find locations and people which consist with “cinematic” energy. It was a strong and pure energy similar to my childhood memories." Find out what else Anastasia Veber had to say about the starting point for her film "Trap" on our blog.
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